25 year visual effects veteran Matthew Bristowe has overseen many high-profile productions in senior roles at Technicolor, One of Us, Prime Focus, MPC and currently, Jellyfish Pictures. In Part 1, of a two-part podcast, he discusses his time at MPC as a Digital Intermediate Supervisor on titles such as 28 DAYS LATER (2002), TROY (2004), PRIDE AND PREJUDICE (2005), THE WIND THAT SHAKES THE BARLEY (2006) and SLUMDOG MILLIONAIRE (2008). Later, while Senior Vice President at Prime Focus World, he talks about his groundbreaking stereographic work on Alfonso Cuaron’s GRAVITY (2013), for which he won the Advanced Image Society’s Lumiere Award. He also recalls his stereography work for HARRY POTTER & THE DEATHLY HALLOWS (2011) and EDGE OF TOMORROW (2014).