The Chills at Will Podcast

Episode 74 with Memoirist and Journalist and Dogged Pursuer of the Truth, Jean Guerrero, Author of Hatemonger: Stephen Miller, and Crux: A Cross-Border Memoir


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Episode Notes and Links for Episode 74 with Jean Guerrero
 
      In this episode, Pete speaks with award-winning journalist and author, Jean Guerrero. The two talk about her writing and life inspirations, her charismatic and intellectually-curious parents, her work on her incredible memoir, and writing an in-depth piece on white nationalist Stephen Miller.
Jean Guerrero is an award-winning investigative journalist and author of Hatemonger: Stephen Miller, Donald Trump and the White Nationalist Agenda. Her first book, Crux: A Cross-Border Memoir, won a PEN Literary Award. Her writing is featured in The Best American Essays 2019. She is an Emmy-winning border reporter, contributing to NPR, the PBS NewsHour and more. Months before Trump’s family separations captured national attention, her reporting on the practice was cited by members of Congress. She started her career at the Wall Street Journal and Dow Jones Newswires as a foreign correspondent in Mexico and Central America, trekking through mountains with coffee smugglers, opium poppy producers and more. She was the 2019 “Journalist of the Year” (Society for Professional Journalists, San Diego) and one of the California Chicano News Media Association’s most influential Latina journalists in the region.
 
Buy Crux: A Cross-Border Memoir
 
Buy  Hatemonger: Stephen Miller, Donald Trump, and the White Nationalist Agenda
 
Jean Guerrero's Personal Website
 
Jean Guerrero Interview with Terri Gross and NPR’s Fresh Air
 
“Stephen Miller’s Dystopian America” from March 2020 in the New York Times
 
At about 2:30, Jean discusses her childhood in San Diego, specifically her relationship with language, including how speaking Spanish was often maligned in political circles
 
At about 6:15, Jean and Pete connect Jean’s seemingly disparate books and shout out former Chills at Will guest Gustavo Arellano’s well-made LA Times’ podcast on Prop 187
 
At about 6:50, Jean responds to Pete asking about how her father influenced her learning and writing
 
At about 10:30, Pete and Jean reflect on the loss of language and cultural connections due to restrictions against speaking foreign languages in schools, which leads to Jean quoting the great Reyna Grande’s ideas on “subtractive bilingualism”
 
At about 12:20, Jean references a pivotal event in Maria Hinojosa’s memoir that connects to a similar “crossroads” for Jean 
 
At about 14:00, Jean details how she is a combination of both of her parents’ philosophies and skills
 
At about 15:55, Pete asks Jean if she “saw herself” in what she read as a kid; Jean talks about how white male-centric literature has influenced her-she mentions the article she’s currently writing that examines this “premium the culture places won white male perspectives”
 
At about 18:40, Jean discusses fantasy and sci-fi reading as a “refuge” and connecting with outcasts
 
At about 20:05, Pete connects the ideas expressed by Jean about books as refuge, as he discussed in a bonus episode of the podcast-an addendum to Episode 32
 
At about 21:15, Jean discusses the formative The Liars' Club by Mary Karr and The Devil’s Highway by Luis Alberto Urrea, read in her teacher Steve Brown’s class
 
At about 23:15, Pete and Jean hone in on the unforgettable scenes that depict deaths in the desert of those trying to enter the United States, as depicted in Urrea’s book
 
At about 24:10, Jean further lists some writers and texts that have given her “chills at will,” including Isabel Allende’s Paula
 
At about 27:10, Jean describes the structure/format of her book in relation to the Popul Vuh
 
At about 28:55, Jean describes the cultivation of her writing skills and interests that eventually led to her becoming a stellar journalist and writer, including great boosts from
 
At about 31:45, Jean talks about Hatemonger and its inspiration, particularly US’ policies regarding the border and immigration  
 
At about 35:35, Jean delves into Stephen Miller's need to exclude and exact re
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