Greg takes Richard into classic Agatha Christie territory with a French director’s Hollywood take on a British novel.  After examining the British class system, they finish with a largely forgotten whodunnit film written by Psycho actor Anthony Perkins and West Side Story composer Stephen Sondheim.  And if that doesn’t get you in, nothing will.  What is Richard’s problem with filmic murder?  And is it OK for Death to be funny?

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