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Ottessa Moshfegh’s books are menacing and powerful; they’re filled with intimate descriptions of bodily fluids and bowel movements, but, like Flannery O’Connor, they also cut deep into the psychic substrata of her characters. In this week’s episode, Moshfegh discusses her process of writing these books—which apparently involves visitations from the paranormal. Last year Moshfegh was shortlisted for the Man Booker Prize for her novel Eileen, which is a story about a woman desperately seeking the connection of another human being. She also wrote a novella, McGlue, which is a kind of murder love story set in Salem Massachusetts in 1851. Moshfegh spoke to Ross Simonini about the source of the darkness and the weirdness in her fiction.
In this episode, you’ll also hear Organist fan fiction from comedian Dan Sheehan, known for tweeting as his persona @SICKOFWOLVES, who is “DEFINITELY NOT A WOLF PRETENDING TO BE A MAN.”
4.8
361361 ratings
Ottessa Moshfegh’s books are menacing and powerful; they’re filled with intimate descriptions of bodily fluids and bowel movements, but, like Flannery O’Connor, they also cut deep into the psychic substrata of her characters. In this week’s episode, Moshfegh discusses her process of writing these books—which apparently involves visitations from the paranormal. Last year Moshfegh was shortlisted for the Man Booker Prize for her novel Eileen, which is a story about a woman desperately seeking the connection of another human being. She also wrote a novella, McGlue, which is a kind of murder love story set in Salem Massachusetts in 1851. Moshfegh spoke to Ross Simonini about the source of the darkness and the weirdness in her fiction.
In this episode, you’ll also hear Organist fan fiction from comedian Dan Sheehan, known for tweeting as his persona @SICKOFWOLVES, who is “DEFINITELY NOT A WOLF PRETENDING TO BE A MAN.”
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