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Following the modest success of The Jesus and Mary Chain’s 1989 album “Automatic,” Glaswegian brothers and fuzz pedal virtuosos Jim and William Reid went into the studio with the usual arsenal of effects, some new dance-rock beats, and a top-notch top-notch team. The result was JAMC’s 1992 album, “Honey’s Dead,” and expectations were high. Did they pay off? Scott Free and Laurie fill you in.
SUBSCRIBE ON PATREON FOR ADS-FREE LISTENING AND SPECIAL BONUS CONTENT! If you like what we do at Accelerated Culture Podcast, please consider supporting us on Patreon for only $5 a month: https://www.patreon.com/AcceleratedCulturePodcast
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PLEASE NOTE: We have changed our episode release schedule. New episodes will now be released on Sundays at 1pm eastern time.
By acceleratedculture4.8
3737 ratings
Following the modest success of The Jesus and Mary Chain’s 1989 album “Automatic,” Glaswegian brothers and fuzz pedal virtuosos Jim and William Reid went into the studio with the usual arsenal of effects, some new dance-rock beats, and a top-notch top-notch team. The result was JAMC’s 1992 album, “Honey’s Dead,” and expectations were high. Did they pay off? Scott Free and Laurie fill you in.
SUBSCRIBE ON PATREON FOR ADS-FREE LISTENING AND SPECIAL BONUS CONTENT! If you like what we do at Accelerated Culture Podcast, please consider supporting us on Patreon for only $5 a month: https://www.patreon.com/AcceleratedCulturePodcast
********************
PLEASE NOTE: We have changed our episode release schedule. New episodes will now be released on Sundays at 1pm eastern time.

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