Making connections with brutalist architecture, 8 bit pixel graphics, teletext and future fossils in her upcoming exhibition, “Concrete Redundancy,” Raquel Meyers uses obsolete technologies as tools to create animations and pose questions around our unhealthy relationship patterns with technology. Her work explores ideas around the naivety of brutalist architecture ethics and technology that emerged post world war II, exposing the dystopian undercurrents left in its wake.

To learn more about Raquel Meyers visit: www.raquelmeyers.com/