"What Isn't Obvious at the Ranch House Cafe" is a narrative on two levels going on simultaneously - #1 - The story of my Uncle Bill Kuzma that my dad used to beat up regularly in the coal bin #2 - The story of the Ranch House denisons Pay attention, these are the only hints. Music: Kuzma: Toccata in Boogie, American Suite, #2, John Kuzma, Organ; St. Lawrence, Cincinnati, OH, 2001

"What Isn't Obvious at the Ranch House Cafe" is a narrative on two levels going on simultaneously - #1 - The story of my Uncle Bill Kuzma that my dad used to beat up regularly in the coal bin #2 - The story of the Ranch House denisons Pay attention, these are the only hints. Music: Kuzma: Toccata in Boogie, American Suite, #2, John Kuzma, Organ; St. Lawrence, Cincinnati, OH, 2001

"What Isn't Obvious at the Ranch House Cafe" is a narrative on two levels going on simultaneously - #1 - The story of my Uncle Bill Kuzma that my dad used to beat up regularly in the coal bin #2 - The story of the Ranch House denisons Pay attention, these are the only hints. Music: Kuzma: Toccata in Boogie, American Suite, #2, John Kuzma, Organ; St. Lawrence, Cincinnati, OH, 2001 &nbsp;

Episode 8: What Isn't Obvious at the Ranch House Cafe

John's podcasts and poems are frozen still moments recorded as mental photos that run in the reader's imagination like full films. As both participant and chronicler John removes himself from the action, makes his observations quickly (and hopefully cogently) and then escape. If John is a good observer, he sees things that by themselves are extraordinary revelations about each of us which seem as caricatures rooted in ordinary life and amplified by the focus of each person's mind on the "other" … ourselves. In other words, if a kid is "an indefatigable nose picker with bluster all his own" we get a complex message about human behavior that we got from an unmentionable source: us. Long after hearing  John's podcasts and poems, the scenes he describe live "rent free" in the reader's mind.

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John's podcasts and poems are frozen still moments recorded as mental photos that run in the reader's imagination like full films. As both participant and chronicler John removes himself from the action, makes his observations quickly (and hopefully cogently) and then escape. If John is a good observer, he sees things that by themselves are extraordinary revelations about each of us which seem as caricatures rooted in ordinary life and amplified by the focus of each person's mind on the "other" … ourselves. In other words, if a kid is "an indefatigable nose picker with bluster all his own" we get a complex message about human behavior that we got from an unmentionable source: us. Long after hearing John's podcasts and poems, the scenes he describe live "rent free" in the reader's mind.

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Episode 8: What Isn't Obvious at the Ranch House Cafe

Episode 8: What Isn't Obvious at the Ranch House Cafe