John Williams didn't have a lot of time to think about the score for Steven Spielberg's futuristic science fiction thriller "Minority Report," going right into the project almost immediately after finishing work on "Attack of the Clones." Spielberg and Williams agreed on a score that put more emphasis on tone rather than melody, something that was quite new for a Spielberg/Williams collaboration. But, the film manages to create some compelling themes and interesting action cues, with the flute section getting a lot of play during some masculine and powerful fight scenes. Host Jeff Commings breaks down the various themes and finds an interesting comparison to the music in one scene to music used in a groundbreaking comedy 10 years earlier.