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Sketch: Big Jim Murphy makes his triumphant return to the scripted portion of the program in a scene where Kaleb hops a train. He's running from somebody. But who, right? Who's he running from? That's the suspense that drives the scene, see.Show: No matter how self-loathing I may get in my moments of darkness, I am figuring out how to keep it funny as a one-man act, and I aim to get there one of these days. But in the meantime I'll settle for being a cut-rate picaresque leading man.I talk about drought. About the central valley and the whole working-class California thing. I talk about William Shatner somehow. I talk about rambling off to an assortment of small towns. I talk about Mark Twain and Bret Harte - the dead guy, not the wrestler - and Rip Van Winkle and all this other old stuff, because I'm being suffocated by my books. Someday my books will kill me.
Sketch: Big Jim Murphy makes his triumphant return to the scripted portion of the program in a scene where Kaleb hops a train. He's running from somebody. But who, right? Who's he running from? That's the suspense that drives the scene, see.Show: No matter how self-loathing I may get in my moments of darkness, I am figuring out how to keep it funny as a one-man act, and I aim to get there one of these days. But in the meantime I'll settle for being a cut-rate picaresque leading man.I talk about drought. About the central valley and the whole working-class California thing. I talk about William Shatner somehow. I talk about rambling off to an assortment of small towns. I talk about Mark Twain and Bret Harte - the dead guy, not the wrestler - and Rip Van Winkle and all this other old stuff, because I'm being suffocated by my books. Someday my books will kill me.