The Chills at Will Podcast

Episode 93 with Steph Cha, Food Writer, Book Reviewer, and Author of the Award-Winning Juniper Song Series and Your House Will Pay


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Episode 93 Notes and Links to Steph Cha’s Work 
 
 
    On Episode 93 of The Chills at Will Podcast, Pete welcomes Steph Cha, as the two discuss her work as an “Elite Yelper,” book reviewer, mystery writer, and award-winning novelist. The two discuss, among other topics, her early relationship with words, her inspiration for food writing and Yelp-ing, as well as her mystery writing and its connections to escape and/or reality. The two finish by discussing the historical fiction/mystery/character-driven modern classic Your House Will Pay and its vivid characters and prose. 
     Steph Cha is the author of Your House Will Pay, winner of the Los Angeles Times Book Prize and the California Book Award, and the Juniper Song crime trilogy. She’s a critic whose work has appeared in the Los Angeles Times, USA Today, and the Los Angeles Review of Books, where she served as noir editor, and is the current series editor of the Best American Mystery & Suspense anthology. A native of the San Fernando Valley, she lives in Los Angeles with her family.
 
Buy Steph Cha's Your House Will Pay
 
Buy Steph Cha's Follow Her Home
 
Buy Steph Cha's Dead Soon Enough: A Juniper Song Mystery
 
Buy Steph Cha's Beware Beware: A Juniper Song Mystery
 
Review: Kirkus Review for Beware Beware
 
Los Angeles Times Review of Books Review for Your House Will Pay
 
Your House Will Pay: A Conversation with Author Steph Cha on Race Relations-hosted by LA Public Library
 
The Rumpus Interview with Steph Cha from 2015 
 
Steph Cha’s Yelp Reviews
 
 
At about 1:40, Steph talks about growing up in the San Fernando Valley and her early love of reading, as well as interesting anecdotes about her mother’s role in encouraging her reading
 
At about 5:30, Steph discusses her relationship with bilingualism, growing up with Korean as her first language
 
At about 7:00, Steph outlines her early reading loves, including reading Jane Eyre at eight or nine and The Phantom Tollbooth, among others; she relates a funny early reading of Catch 22
and her voracious appetite for manga
 
At about 11:20, Steph is asked about representation in what she read as a adolescent, and she talks about what she was used to missing
 
At about 12:15, Steph talks about Maurene Goo and her standout work that makes Steph wish she had been able to read such work when she was a kid
 
At about 13:15, Pete asks Steph about inspiring writers and “ ‘Eureka’ moments in her writing career path, including examples of what to and what not to do
 
At about 16:50, Pete wonders how law school and her high-level Stanford and Ivy League education informed her later writing
 
At about 19:55, Steph talks about any connections between her and a protagonist of Your House Will Pay
 
At about 21:00, Steph talks about her prolific Yelp reviews and the Yelp-ing lifestyle 
 
At about 22:00, Steph recounts an incredible anecdote that coincides with the early days of the legendary Kogi food truck
 
At about 24:00, Steph talks about her early work with Yelp and how it connected to other work and life events
 
At about 26:30, Pete asks for a few LA taco recs-Steph mentions Tacos 1986, Guisado’s, and Mexicali, among so many others
 
At about 28:20, Steph talks about her days working with the legendary writer, the late Jonathan Gold 
 
At about 33:00, Steph and Pete discuss Jonathan Gold’s sense of generosity and how she was a scout with young standouts like Javier Cabral
 
At about 35:50, Pete asks Steph if there is ever a need or a benefit to “ripping” a book or restaurant in a review if the quality is low
 
At about 38:50, Steph discusses tropes and themes from her noir writing, as well as the seeds for her Juniper Song trilogy 
 
At about 42:40, Pete wonders about the balance between realism and “escape” in Steph’s writing, in her mysteries and in Your House Will Pay
 
At about 44:20, Pete and Steph discuss her masterful usage of Los Angeles as almost a character in its own right in her writing
 
At about 46:50, Pete
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