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In our second episode from fieldwork in Cuba we sit down with “Song Maker” Enid Rosales and discuss her two albums (Brisa Pasajera and Dentro de Mí), her listeners in Cuba and beyond, the Nueva Trova genre, the Buena Vista Social Club effect, Celia Cruz and what it means to be an “hacedora de canciones.”
By Kevin S. Fox | Cultural Geographer5
33 ratings
In our second episode from fieldwork in Cuba we sit down with “Song Maker” Enid Rosales and discuss her two albums (Brisa Pasajera and Dentro de Mí), her listeners in Cuba and beyond, the Nueva Trova genre, the Buena Vista Social Club effect, Celia Cruz and what it means to be an “hacedora de canciones.”