<p>Just in time for the episode that frustrated the broadest set of <em>Twin Peaks</em> viewers, New York Times / [rogerebert.com](rogerebert.com) writer Glenn Kenny joins us to tackle the upside of frustration, as well as many, many other tangents, including the show’s possible riffing on Lynch’s real-life persona and the new series’ sneaky ties to soap-opera aesthetics.</p>

Just in time for the episode that frustrated the broadest set of Twin Peaks viewers, New York Times / [rogerebert.com](rogerebert.com) writer Glenn Kenny joins us to tackle the upside of frustration, as well as many, many other tangents, including the show’s possible riffing on Lynch’s real-life persona and the new series’ sneaky ties to soap-opera aesthetics.

Episode Twenty-Four: Horne Under a Bad Sign (ft. Glenn Kenny)

Kate Rennebohm and Simon Howell go through the entire run of TWIN PEAKS, from the pilot to the last gasp of THE RETURN, with a couple dozen fantastic guests in tow. Special attention is paid to the context of its release, its place in David Lynch's overall body of work, and its use of style and theme.

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Episode Twenty-Four: Horne Under a Bad Sign (ft. Glenn Kenny)

Episode Twenty-Four: Horne Under a Bad Sign (ft. Glenn Kenny)