Through her wildly multicolored and multitextured interdisciplinary work, April Bey loves to explore speculative realms. For example, in a recent installation of hers, titled “Atlantica, the Gilda Region,” she invited the viewer to imagine they’d just landed as aliens on the faraway planet Atlantica, an opulent galactic wonderland full of Black and Brown bodies savoring luxury and leisure. First exhibited at the California African American Museum in Los Angeles, the show then traveled to the Nevada Museum of Art in Reno this past fall.

Art Restart was eager to speak with April specifically because of a project she created to transform one particular speculation into reality: What if the people who collected her art looked like her and/or had similar backgrounds to hers? What if the world of art collecting invited collectors who for a host of reasons had felt excluded from or intimidated by it? She named the new venture the Equity in Collecting Program, and it is already bearing fruit, with April currently reviewing the third round of applicants to the program.

April spoke to Art Restart from Los Angeles, where she lives and works, including as a tenured professor at Glendale College. Here she explains why and how she created her singular program and explains how her radical invitation to new collectors is changing not only the art-collecting culture but also her relationship with her fans as well as with her own art.

https://www.april-bey.com/

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