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Video journalist Alexandra Eaton of The New York Times joins us to share an unforgettable story that begins with a painting created in 1837 New Orleans. It depicts a well-to-do family's three children and a Black enslaved child named Bélizaire. Decades later, Bélizaire was removed from the portrait. Experts have restored the work to its original state, revealing the enslaved youth who had been painted out of history. It goes on display this fall at New York's Metropolitan Museum of Art.
By Philbrook Museum of Art4.8
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Video journalist Alexandra Eaton of The New York Times joins us to share an unforgettable story that begins with a painting created in 1837 New Orleans. It depicts a well-to-do family's three children and a Black enslaved child named Bélizaire. Decades later, Bélizaire was removed from the portrait. Experts have restored the work to its original state, revealing the enslaved youth who had been painted out of history. It goes on display this fall at New York's Metropolitan Museum of Art.

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