In this episode, I talk to Eric G. Wilson, author and professor of British Romanticism at Wake Forest University, about this fruitful pairing of a writer and filmmaker.  When I first asked him what he wanted to discuss, he replied, “Coleridge and Hitchcock” almost instantly.   Both of these artists were, in Eric’s words, “obsessed with obsession” and the work of each one illuminates the other’s. “Coleridge is like a proto-Freudian or proto-Hitchcock,” Eric says.  “His work has the doubling and obsessions that show up all the time in the twentieth century.  He’s the perfect writer to shed light on Hitchcock as a filmmaker.” 

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