Eskil Vogt is the writer-director of The Innocents, and an Oscar nominee for co-writing The Worst Person in the World. His films transcend genre, but value both realism and surprise.

In this episode, Vogt talks with MovieMaker's Tim Molloy about good vs. evil and why neither really exists, why screenwriters sometimes have to harm children and animals (only cinematically, of course) and a 1977 Swiss-French film he loves. We also discuss the promise of the X-Men films and how they often fall apart.

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