Torches light the tents of thousands.  But beside the river where we are centered is but one lone tent, that of Faustus, who oversees the trip to Paradise, as he always wanted to do.All action occurs beside the river that dominates the sound of speech by its rushing noise.***Musical excerpt is Albinoni: Adagio In G Minor.The image is the medieval map to  Eden, as it was “before God destroyed  it with the Flood.”

Torches light the tents of thousands. But beside the river where we are centered is but one lone tent, that of Faustus, who oversees the trip to Paradise, as he always wanted to do. All action occurs beside the river that dominates the sound of speech by its rushing noise. *** Musical excerpt is Albinoni: Adagio In G Minor. The image is the medieval map to Eden, as it was “before God destroyed it with the Flood.”

Torches light the tents of thousands.  But beside the river where we are centered is but one lone tent, that of Faustus, who oversees the trip to Paradise, as he always wanted to do.

All action occurs beside the river that dominates the sound of speech by its rushing noise.

***

Musical excerpt is Albinoni: Adagio In G Minor.

The image is the medieval map to  Eden, as it was “before God destroyed  it with the Flood.”

Faustbook Act 5 Scene 4

This narrative poem in the manner of a five-act play (with excursus) was inspired by research I had done for teaching Marlowe’s Doctor Faustus. I read it first when I was fourteen, finding in particular the count-down to death at midnight, like an execution, terrifying and poignant. His play incomplete, his fallen philosopher also unfinished, tantalized me then, and had recurred for my imagination in my maturity. The poem therefore has an adolescent attitude, but it is an old man’s ideas. *** You may purchase a copy from Amazon.com Here! *** Advisory: students of the Faustian legends will recognize the authentic elements of its tradition: that it affronts Catholic Christianity with mawkish slander; that Faustus doubts his religion; that Mephistophiles is a sensualist; that evil and good struggle and often evil prevails; that conscience contends and is confused. These are the original themes. Offense is not intended. Neither is the tale censored.

Arts

This narrative poem in the manner of a five-act play (with excursus) was inspired by research I had done for teaching Marlowe’s Doctor Faustus. I read it first when I was fourteen, finding in particular the count-down to death at midnight, like an execution, terrifying and poignant. His play incomplete, his fallen philosopher also unfinished, tantalized me then, and had recurred for my imagination in my maturity. The poem therefore has an adolescent attitude, but it is an old man’s ideas. *** You may purchase a copy from Amazon.com Here! *** Advisory: students of the Faustian legends will recognize the authentic elements of its tradition: that it affronts Catholic Christianity with mawkish slander; that Faustus doubts his religion; that Mephistophiles is a sensualist; that evil and good struggle and often evil prevails; that conscience contends and is confused. These are the original themes. Offense is not intended. Neither is the tale censored.

This narrative poem in the manner of a five-act play (with excursus) was inspired by research I had done for teaching Marlowe’s Doctor Faustus. I read it first when I was fourteen, finding in particular the count-down to death at midnight, like an execution, terrifying and poignant. His play incomplete, his fallen philosopher also unfinished, tantalized me then, and had recurred for my imagination in my maturity. The poem therefore has an adolescent attitude, but it is an old man’s ideas. *** You may purchase a copy from Amazon.com Here! *** Advisory: students of the Faustian legends will recognize the authentic elements of its tradition: that it affronts Catholic Christianity with mawkish slander; that Faustus doubts his religion; that Mephistophiles is a sensualist; that evil and good struggle and often evil prevails; that conscience contends and is confused. These are the original themes. Offense is not intended. Neither is the tale censored.

Share Faustbook Act 5 Scene 4

Sign up to save your podcasts

Faustbook Act 5 Scene 4

Faustbook Act 5 Scene 4