The room in which we find ourselves appears by gradual suggestion, as if the light materially causes the appearance of things to be. They grow solid as the light delineates them, finding edges and then filling surfaces with substance and color. It begins from a beam of sunlight that reveals a window, framed in the center of the stage, against a vaguely opaque wall of black.***Music excerpt is Rhapsody on a Theme from Paganini, by Rachmoninoff, pianist Artur Rubinstein.

The room in which we find ourselves appears by gradual suggestion, as if the light materially causes the appearance of things to be. They grow solid as the light delineates them, finding edges and then filling surfaces with substance and color. It begins from a beam of sunlight that reveals a window, framed in the center of the stage, against a vaguely opaque wall of black. *** Music excerpt is Rhapsody on a Theme from Paganini, by Rachmoninoff, pianist Artur Rubinstein.

The room in which we find ourselves appears by gradual suggestion, as if the light materially causes the appearance of things to be. They grow solid as the light delineates them, finding edges and then filling surfaces with substance and color. It begins from a beam of sunlight that reveals a window, framed in the center of the stage, against a vaguely opaque wall of black.


***

Music excerpt is
 Rhapsody on a Theme from Paganini, by Rachmoninoff, pianist Artur Rubinstein.

Faustbook Excursus 3

This narrative poem in the manner of a five-act play (with excursus) was inspired by research I had done for teaching Marlowe’s Doctor Faustus. I read it first when I was fourteen, finding in particular the count-down to death at midnight, like an execution, terrifying and poignant. His play incomplete, his fallen philosopher also unfinished, tantalized me then, and had recurred for my imagination in my maturity. The poem therefore has an adolescent attitude, but it is an old man’s ideas. *** You may purchase a copy from Amazon.com Here! *** Advisory: students of the Faustian legends will recognize the authentic elements of its tradition: that it affronts Catholic Christianity with mawkish slander; that Faustus doubts his religion; that Mephistophiles is a sensualist; that evil and good struggle and often evil prevails; that conscience contends and is confused. These are the original themes. Offense is not intended. Neither is the tale censored.

Arts

This narrative poem in the manner of a five-act play (with excursus) was inspired by research I had done for teaching Marlowe’s Doctor Faustus. I read it first when I was fourteen, finding in particular the count-down to death at midnight, like an execution, terrifying and poignant. His play incomplete, his fallen philosopher also unfinished, tantalized me then, and had recurred for my imagination in my maturity. The poem therefore has an adolescent attitude, but it is an old man’s ideas. *** You may purchase a copy from Amazon.com Here! *** Advisory: students of the Faustian legends will recognize the authentic elements of its tradition: that it affronts Catholic Christianity with mawkish slander; that Faustus doubts his religion; that Mephistophiles is a sensualist; that evil and good struggle and often evil prevails; that conscience contends and is confused. These are the original themes. Offense is not intended. Neither is the tale censored.

This narrative poem in the manner of a five-act play (with excursus) was inspired by research I had done for teaching Marlowe’s Doctor Faustus. I read it first when I was fourteen, finding in particular the count-down to death at midnight, like an execution, terrifying and poignant. His play incomplete, his fallen philosopher also unfinished, tantalized me then, and had recurred for my imagination in my maturity. The poem therefore has an adolescent attitude, but it is an old man’s ideas. *** You may purchase a copy from Amazon.com Here! *** Advisory: students of the Faustian legends will recognize the authentic elements of its tradition: that it affronts Catholic Christianity with mawkish slander; that Faustus doubts his religion; that Mephistophiles is a sensualist; that evil and good struggle and often evil prevails; that conscience contends and is confused. These are the original themes. Offense is not intended. Neither is the tale censored.

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Faustbook Excursus 3

Faustbook Excursus 3