3 years in the making… have you ever worked on ONE project that long? Bokeh is what Geoffrey Orthwein calls “Lo Fi Sci-Fi Fi”… its a science fiction story that doesn’t have lasers and space ships in it. Its mostly about a relationship and what happens in the face of adversity. It was also all cut in FCPX and in this episode we’ll hear about the pros and cons of using this software on a feature length project.
Sponsored by premiumbeat.com
Sponsored by lumaforge.com
Chris Fenwick – chrisfenwick.com – @chrisfenwick
Geoffrey Orthwein – bokehthemovie.com – @geoffreyor
www.facebook.com/bokehmovie
Twitter:  @bokehmovie
Instagram:  @bokehmovie

FCG144 – Everything Looks Familiar (feat. Geoffrey Orthwein)

Xoilac - Trực tiếp bóng đá số 1 Việt Nam

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So you think you want to be a digital media mogul? How in the world do I get all this crap set up so that you can do a podcast or a live stream? Richard Taylor and I do a full bore geek fest chat about how we both produce shows to talk about FCPX. Pay special attention to the discussion on audio, Richard and I are both kind of audio nuts.



Credits for Episode 179



Executive Producer: Cirina Catania



Chris Fenwick – chrisfenwick.com – @chrisfenwick



Guest Name – @twitter


FCG179 – Cross Cast (feat. Richard Taylor)


Ever want to cut a whole feature length doc in FCPX? Yea… it can be done alright. Josh Meyers his head of Post Production at Emergent Order in Austin Texas and has vast experience with both Premier and FCPX. EO has cut docs in both and Josh’s insight is interesting. As always, we diverged into a lot of other topics, light the “Fight against Marginalization” and On-boarding new editors to work in FCPX. I hope you enjoy this ep.



Executive Producer: Michael Roper



Associate Producer: Trevor Horton



Chris Fenwick – chrisfenwick.com – @chrisfenwick



Josh Meyers- @EmergentOrderCo – emergentorder.com

FCG178 – The Pursuit (feat. Josh Meyers)


“A dance for my Ego”. Mobile filmmaking and why its the future of content creators.



The power of film making in your pocket.



A time for self reflection … 20 years of mistake.



Do we DARE say Tarantino has jumped the shark?



We also talk about the FCPX Creative Summit in November, the Discount code is “Grill19”



Apogee MetaRecorder



Chris Fenwick – chrisfenwick.com – @chrisfenwick



Sam Mestman – @SamMestman – @lumaforge


FCG177 – Imposter Syndrome (feat. Sam Mestman)


We finally decide! OK… not really but if you want to listen to two FCPX users prattle on about how happy they are with the tool they use THIS is the episode for you. In all actuality Lee and I cover many topics including how Lee thinks I should take an Apple Certified Trainer class, and we also touch on his lectures that are scheduled for the FCPX Creative Summit in November.



Chris Fenwick – chrisfenwick.com – @chrisfenwick



Lee Herbet – @leeherbet


FCG176 – Which editor is for you? (feat. Lee Herbet)


Choosing a phone platform can be tough, or REALLY easy. If you’re a Mac fanboy you probably use an iPhone but I’ve always been intrigued by those that choose android AND use Macs. What drives their decisions and what do they see it breaking from the pack? More importantly what brings someone BACK to iPhone once they have “strayed”. In this episode Alister Robbie goes IN DEPTH on what he looks for in a phone and we discuss Google and their casual attitude toward privacy. 



Twitter International incident, 3 phone calls in 30 minutes.



Masters in Motion



Credits for Episode 175



Executive Producer: Alan Seawright



Associate Producer: Lon Keller



Chris Fenwick – chrisfenwick.com – @chrisfenwick



Alister Robbie @alisterrobbie – @thepostproject


FCG144 – Everything Looks Familiar (feat. Geoffrey Orthwein)

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