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I don’t often lead these reports with our Nashville Jam, but sometimes our show-closing, all-hands feature goes exceptionally well. And this week it felt like some cathartic starburst that brought together all of the energies and chemistries of the nights four acts. And that is exactly what it’s supposed to do under ideal circumstances. The song was “Why You Been Gone So Long?” from the pen of Mickey Newbury. A lot of us bluegrass heads glommed on to the song as recorded by Tony Rice. But my research says it was first recorded by the long forgotten Johnny Darrell in 1969 with a dank electric guitar twang and a twisty beat. And that’s the beat that Jim Lauderdale (who was back after a few weeks of being gone so long – why?) set up as Nikki Lane, Michaela Anne, Paul McDonald and Parker Gispert brought their distinctive voices to the verses. The choruses were huge and tight and joyful. Sometimes we really nail it. But it had been a special night all around by that point anyway.
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I don’t often lead these reports with our Nashville Jam, but sometimes our show-closing, all-hands feature goes exceptionally well. And this week it felt like some cathartic starburst that brought together all of the energies and chemistries of the nights four acts. And that is exactly what it’s supposed to do under ideal circumstances. The song was “Why You Been Gone So Long?” from the pen of Mickey Newbury. A lot of us bluegrass heads glommed on to the song as recorded by Tony Rice. But my research says it was first recorded by the long forgotten Johnny Darrell in 1969 with a dank electric guitar twang and a twisty beat. And that’s the beat that Jim Lauderdale (who was back after a few weeks of being gone so long – why?) set up as Nikki Lane, Michaela Anne, Paul McDonald and Parker Gispert brought their distinctive voices to the verses. The choruses were huge and tight and joyful. Sometimes we really nail it. But it had been a special night all around by that point anyway.