If you loved Fela Kuti: Fear No Man, you can’t miss Higher Ground and Audible’s newest series, Reconstruction: The Unfinished Promise. 

Reconstruction was a time when Americans struggled over fundamental questions about our country. Who gets to be a citizen? Who has the right to vote? Who can own property? In short, who belongs? Best-selling author and host of Revisionist History, Malcolm Gladwell, guides us through this extraordinary moment in American history with help from former President Barack Obama. Together they explore why America has yet to make good on the promise of Reconstruction — and how it still might.

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On the occasion of Fela's Lifetime Achievement Grammy, Jad is back to put his musical legacy in a very different context, with the help of Michael Veal, Randall Woolf, David Byrne and Brian Eno.

Thanks to LSO Live on behalf of the London Symphony Orchestra  

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Is Fela’s music actually a weapon of the future? What does his legacy tell us about the real power of art and the artist?

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Thirty years after Fela’s death, Nigeria erupts — and Fela is again at the center of it.

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Fela told his followers that he could never die. So what happens when the unthinkable finally happens?

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After "Zombie," the military can no longer abide by Fela and his followers. A global celebration of Nigeria’s Pan-African ambitions turns into a brutal raid, torture and death, with thousands of people watching.

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In January, 1976, Fela drops his most fiery, confrontational song – “Zombie” is a blistering attack on the army, soldiers, and everyone who “just follows orders” to protect those in power. The song inspires ordinary Nigerians to stand up against tyranny wherever they see it — from traffic cops on the beat to the powerful general / head-of-state. And the response from the government — and its army — is almost immediate. Plus, an unreleased cover of “Zombie” from Santigold.

(00:06) Zombie

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As Fela’s campaign against the state begins to take form, three young lieutenants rise up to lead his political charge.

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According to some, the key to Afrobeat was its women. And one of the keys to understanding this “very complicated” man is how Fela both liberated and oppressed the women closest to him, depending on who you ask. 

Audio clip of Ayo Edebiri courtesy of Sundance Institute. Used by Permission.

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Fela was known almost as much for his hijinx as he was for his music. He took aim at the powers-that-be and, over and over, paid for it in blood. And yet, every provocation served as creative inspiration. 

Audio clip of Konkombe courtesy Harcourt Films Ltd.

Lijadu Sisters appear courtesy of Secretly Publishing and Numero Group.

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