Fabiola and Saffron discuss John Water’s 1974 cult classic and its themes of trash, beauty, and crime, as well as an examination of modern true crime communities.

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Theme music by Harrison Lurie

Referenced reading:

“JOHN WATERS: Queer as Trash and Camp.” Gay Directors, Gay Films?: Pedro Almodóvar, Terence Davies, Todd Haynes, Gus Van Sant, John Waters, by EMANUEL LEVY et al., Columbia University Press, NEW YORK, 2015, pp. 268–324. JSTOR, www.jstor.org/stable/10.7312/levy15276.11.