Field recording sits at the boundary between documentation and composition.
This episode traces the history of field recording as both a technical practice and a cultural idea—how the act of recording the world reshaped music, listening, and sound itself.

From early ethnographic recordings and tape-based experiments to portable digital recorders and contemporary sound art, we explore how technology expanded the range of what could be captured. Microphones, tape machines, DAT, and handheld digital devices did more than improve fidelity—they changed where sound could be recorded and how it could be perceived.

The episode also examines field recording as an aesthetic decision. Environmental sound, urban noise, ritual, weather, and mechanical systems become musical material not through transformation, but through framing and context. Listening becomes an active process, shaped by place, time, and intention.

Alongside its historical and technical evolution, we introduce an essential discography—works that defined and expanded the field. From documentary-oriented releases to abstract sound compositions, these recordings reveal how field recording moved from archival practice to a foundational element of experimental music.

Rather than treating field recording as background texture, this episode positions it as a method of thinking: a way to understand space, memory, and presence through sound.

▼【Related Column】Field recording: Techniques, history, and recommended disc guide for collecting sound sites

https://monumental-movement.jp/en/Column-Field-Recording/