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The Special Topics in Media "Film Listology" season resumes with the #70 entry in the Super Index, the tech-noir cult masterpiece from director Ridley Scott in 1982, Blade Runner. Scott's film gained a notorious reputation for post-production meddling that compromised its unique vision. Blade Runner is also not without controversy, having been re-edited twice into a "director's cut" in the early 1990s and a "final cut" in 2007. This is in addition to an international theatrical release, various edited versions for TV distribution, and even a workprint cut of the film released on DVD/Blu-ray. So which cut counts and why? This question is not unlike the film's underlying thesis: What *is* human? Garret Castleberry is joined by Scott McMurry to discuss the film and explore its healthy position in the Listology Super Index.
Hosts: Garret Castleberry, Scott McMurry
Producers: Garret Castleberry, Will McMurry (Audio Engineer), Alli Garner (Cover Art), Austin Foster (Music)
Recommended readings paired with our Film Listology season:
Rick Altman. Film/Genre. British Film Institute, 1999.
Jim Collins, Ada Preacher Collins, Hilary Radner (Eds.). Film Theory Goes to the Movies, 1st Edition. New York: Routledge, 1992.
Ways to Connect with us online:
Follow and engage with Special Topics in Media on Twitter at @podcast_topics.
"Like" to follow our Special Topics in Media Page on Facebook (search Special Topics in Media).
Join the Special Topics in Media Facebook Group and share your reviews of the film or this episode.
Subscribe to Dr. Castleberry's academic YouTube Channel.
Garret's academic website is available at https://garretcastleberry.academia.edu/.
Support the show
By Garret CastleberrySend us Fan Mail
The Special Topics in Media "Film Listology" season resumes with the #70 entry in the Super Index, the tech-noir cult masterpiece from director Ridley Scott in 1982, Blade Runner. Scott's film gained a notorious reputation for post-production meddling that compromised its unique vision. Blade Runner is also not without controversy, having been re-edited twice into a "director's cut" in the early 1990s and a "final cut" in 2007. This is in addition to an international theatrical release, various edited versions for TV distribution, and even a workprint cut of the film released on DVD/Blu-ray. So which cut counts and why? This question is not unlike the film's underlying thesis: What *is* human? Garret Castleberry is joined by Scott McMurry to discuss the film and explore its healthy position in the Listology Super Index.
Hosts: Garret Castleberry, Scott McMurry
Producers: Garret Castleberry, Will McMurry (Audio Engineer), Alli Garner (Cover Art), Austin Foster (Music)
Recommended readings paired with our Film Listology season:
Rick Altman. Film/Genre. British Film Institute, 1999.
Jim Collins, Ada Preacher Collins, Hilary Radner (Eds.). Film Theory Goes to the Movies, 1st Edition. New York: Routledge, 1992.
Ways to Connect with us online:
Follow and engage with Special Topics in Media on Twitter at @podcast_topics.
"Like" to follow our Special Topics in Media Page on Facebook (search Special Topics in Media).
Join the Special Topics in Media Facebook Group and share your reviews of the film or this episode.
Subscribe to Dr. Castleberry's academic YouTube Channel.
Garret's academic website is available at https://garretcastleberry.academia.edu/.
Support the show