Another treat for our regular listeners, we talk to Bribery (a.k.a. - Mitch Catterall). When Vince and I made the first episode of this podcast, he said,

"Mind if we use my mate Mitch's music for the intro and outro?"

I was absolutely open, but a little apprehensive. Then I heard the tracks and... wow. Dark, energetic, and visceral. Somehow; playful, uplifting, and fun. There's something about Bribery, as a multimedia project, that ticks every box.

https://www.instagram.com/p/B22-jkLBShb/?utm_source=ig_web_copy_link

Bribery is an experimental electronic musician from Melbourne, Australia focusing on glitchy, crunching beats, alongside warped and twisted vocals, heavily influenced by digital and organic corruption/mutation sounds like Burial remixing Radiohead and John Frusciante.

Mitch Catterall was the recipient of the 2019 Adolphe Spivakovsky Scholarship for Music Composition for his project, Bribery.

In this episode, we talk to Mitch about:

Social Media use

Multi-media as a journey

The inception of Bribery (including using low budget equipment to achieve aesthetically pleasing results)

Processing video using CV

Stagecraft and live performance as an electronic musician

Other projects Mitch has been a part of during his illustrious career, including solo projects Slacktivist, and Lo.Fi.stro

The Filtered Noise Podcast will regularly discuss approaches to making music, what outside influences have shaped the music of our hosts and guest(s), and give some shout-outs to artists who have done (or are doing) cool things – see ‘Music We Talk About’ below.

We love talking about music. Follow us on instagram @filterednoisecast and you can email us [email protected]. We also have a Ko-Fi account which you can donate to, if you feel like we’re doing a good job – https://ko-fi.com/filterednoise. Music in the intro and outro is by Bribery : https://bribery.bandcamp.com/