A CHILDLIKE VOICE

Kids are far more discerning than many writers suspect. They know a "fake kid" when they hear one, so your dialogue must feel like real words spoken by a real kid. At the same time, it cannot include all the affectations (um, so like, um, what?) that might be part of real speech but would drag the story down. So how do you learn how to write real dialogue? Glad you asked. Here is a three-step process that will help you transform your dialogue.

 

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