Likely his final work, The Return of the Prodigal Son was painted by the great Rembrandt within two years of his death in 1669. It’s a somber, quiet version of the celebratory moment depicted in scripture. The elder brother and other onlookers watch the touching moment from a distance. There’s no new robe around the young man. No shiny ring. No fattened calf. No celebration just yet. In this tender moment, Rembrandt draws all of the attention to the father.Dutch Theologian, Henri Nouwen, stat...