FINNEAS has been scoring for film and television for a few years now, and he's the first to say he's still figuring it out. In this conversation, Charles sits down with the composer and producer to talk through what the process actually looks like: building the wall-to-wall opening cue for Beef Season 2, navigating temp music when the benchmark is Bach, going back through a composer's catalogue the moment you fall in love with their work, and why deadlines might be the best thing that ever happened to his creative process.