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Floating in Time — Daniel Arsham Brings Us Static Mythologies
“Looking back at it, it feels like I’m jumping around a lot, but all of the different types of work, whether it’s an installation or in the architecture studio that I have, they’re all in service of the same goal—which is to take our everyday experience, things that we know, and, sort of, make them do things or make them act in ways we don’t expect. And that subtle shift outside of our everyday experience is a kind of invitation to explore that region outside of our everyday.”
A rack of sixteen Spalding basketballs—except they’re made of pink selenite crystal with gaping erosions in their forms. A Los Angeles Lakers bomber jacket with logo stitching across the front—except it’s unwearable, made of pyrite and ash, the crystals emerging from erosions on the shoulder and sides. What appears to be the hydrostone likenesses of Mickey Mouse, Winnie the Pooh, and Big Bird hanging out together, but they’re wrapped in cloth and tied with rope, ready for delivery or perhaps for unwrapping—immediately familiar and uncomfortably unfamiliar at the same time. Issues of National Geographic, Vogue, Life Magazine, and Sports Illustrated from the year 3018—the year that, apparently, the Cleveland Browns win the Super Bowl.
Story & Photos by Charis Poon
Audio by Elphick Wo
See the full story here: https://www.maekan.com/article/floating-in-time-daniel-arsham-brings-us-static-mythologies
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“Looking back at it, it feels like I’m jumping around a lot, but all of the different types of work, whether it’s an installation or in the architecture studio that I have, they’re all in service of the same goal—which is to take our everyday experience, things that we know, and, sort of, make them do things or make them act in ways we don’t expect. And that subtle shift outside of our everyday experience is a kind of invitation to explore that region outside of our everyday.”
A rack of sixteen Spalding basketballs—except they’re made of pink selenite crystal with gaping erosions in their forms. A Los Angeles Lakers bomber jacket with logo stitching across the front—except it’s unwearable, made of pyrite and ash, the crystals emerging from erosions on the shoulder and sides. What appears to be the hydrostone likenesses of Mickey Mouse, Winnie the Pooh, and Big Bird hanging out together, but they’re wrapped in cloth and tied with rope, ready for delivery or perhaps for unwrapping—immediately familiar and uncomfortably unfamiliar at the same time. Issues of National Geographic, Vogue, Life Magazine, and Sports Illustrated from the year 3018—the year that, apparently, the Cleveland Browns win the Super Bowl.
Story & Photos by Charis Poon
Audio by Elphick Wo
See the full story here: https://www.maekan.com/article/floating-in-time-daniel-arsham-brings-us-static-mythologies
What is MAEKAN?
MAEKAN is a membership-based publication and community focused on the sights and sounds of creative culture. We're about learning, participating, and connecting with a global community on a deeper level that social media just doesn't provide. We’re defining the future of creative culture.
We don't have all the answers, but our curiosity ensures we never stop looking.
Sign-Up Today
If you've enjoyed this story from the archives and want to see what else MAEKAN has to offer, sign-up for your membership at MAEKAN.com. You'll unlock all of our stories, be given exclusive member-only-access to our Slack community, and have the opportunity to participate in our monthly digital panel discussions.
MAEKAN.com
Follow Us
instagram.com/maekan
facebook.com/storiesforthecurious
twitter.com/maekan