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Marisa Gold - 0:05
Christie Lee Charles - 1:45
Matthew Tomkinson & Andy Zuliani - Wave Tables - 6:28
Ḵáawan Sangáa (Brings-A-Special-Day) Woody Morrison - X̱aadas Ḵ'iigaang - Haida Storytelling - 12:12
Kiran Shoker - Topography II: Metamorphosis - 17:27
Robyn Jacob - Fossil Record - 23:42
paula luther - Typewriter Tales - 28:53
Kimit Sekhon - Dancing Forest - 34:02
Dance with us. Hadden Park is a melt of beautiful waterfront and gorgeous tree cover, but how has the history of this land come about with the ways in which our bodies move? Xepepáyem was here long before Hadden Park even existed, like the entirety of what we know today as Vancouver. Do these shorelines remember the bodies that once walked them before? FLUIDITY: BODIES, SOUND AND LAND explores the ways in which we all create relationships with our bodies to the land and the sounds that follow us throughout our journey. Featuring poetry and musing, this sonic performance invites the listener down a rabbit hole of history and experience.
By Vines Art Festival ArtistsMarisa Gold - 0:05
Christie Lee Charles - 1:45
Matthew Tomkinson & Andy Zuliani - Wave Tables - 6:28
Ḵáawan Sangáa (Brings-A-Special-Day) Woody Morrison - X̱aadas Ḵ'iigaang - Haida Storytelling - 12:12
Kiran Shoker - Topography II: Metamorphosis - 17:27
Robyn Jacob - Fossil Record - 23:42
paula luther - Typewriter Tales - 28:53
Kimit Sekhon - Dancing Forest - 34:02
Dance with us. Hadden Park is a melt of beautiful waterfront and gorgeous tree cover, but how has the history of this land come about with the ways in which our bodies move? Xepepáyem was here long before Hadden Park even existed, like the entirety of what we know today as Vancouver. Do these shorelines remember the bodies that once walked them before? FLUIDITY: BODIES, SOUND AND LAND explores the ways in which we all create relationships with our bodies to the land and the sounds that follow us throughout our journey. Featuring poetry and musing, this sonic performance invites the listener down a rabbit hole of history and experience.