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In part two of our chat with feis musician, composer, teacher, and adjudicator Francis Ward, we do a deep dive on the legacy of his composition, the Vanishing Lake. Francis gives us the background on how the piece came to be included in the CLRG set dance canon and his thought-process while composing it. We also talk about his commissioned work, Planxty Ar Sarsfield, part of the Cuimhnigh ar Sarsfield: The Wild Geese Suite, the philosophy behind World Music Pedagogy, and his thoughts on the role of competition in Irish dance.
Francis' composition, Cuimhnigh ar Sarsfield: The Wild Geese Suite, commissioned by the Limerick Bastille Day Wild Geese Festival, is available for listening on YouTube. His award-winning set dance, The Vanishing Lake, is available for listening at every single jig set round at a competition near you.
By Julia Topper and Kristo SweenIn part two of our chat with feis musician, composer, teacher, and adjudicator Francis Ward, we do a deep dive on the legacy of his composition, the Vanishing Lake. Francis gives us the background on how the piece came to be included in the CLRG set dance canon and his thought-process while composing it. We also talk about his commissioned work, Planxty Ar Sarsfield, part of the Cuimhnigh ar Sarsfield: The Wild Geese Suite, the philosophy behind World Music Pedagogy, and his thoughts on the role of competition in Irish dance.
Francis' composition, Cuimhnigh ar Sarsfield: The Wild Geese Suite, commissioned by the Limerick Bastille Day Wild Geese Festival, is available for listening on YouTube. His award-winning set dance, The Vanishing Lake, is available for listening at every single jig set round at a competition near you.