Vaguely Inconsistent

From London Letdowns to Star Wars Showdowns: Sports, Sci‑Fi, and Symphonies


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A sloppy London win doesn’t make a contender, and that’s where our Sunday starts. We pull apart Broncos hype with context that actually matters—travel, opponent quality, and why “we beat the Eagles” isn’t the trump card it sounds like. The Giants get real praise for playing to rookie strengths instead of forcing a scheme, and we share a handful of fantasy RB names worth stashing before your league wakes up.

Then we pivot from turf to theater. A Leo-led satire lands because it refuses to worship either extreme, and The Smashing Machine shows Dwayne Johnson shedding persona for performance. We go neon with a Tron binge—why Legacy’s ideas aged better than its de-aging, where Ares forgets the Grid, and how Nine Inch Nails keeps the vibe alive without stepping on the score. The main course is a Star Wars deep dive: the prequels’ clunky romance versus Episode III’s payoff, the original trilogy’s edits that help or hurt story logic, and the sequels’ biggest sin—no plan. We debate Rey’s learning curve, Kylo’s emotional ceiling, and still celebrate what sings: the Death Star duel, Crait’s palette, and Rogue One’s war-film spine that Andor smartly deepens. Solo earns a reappraisal once you drop the production noise and enjoy the heist that actually delivers on Falcon, Chewie, and the Kessel Run.

We close with something unexpected and delightful: a symphony-circus mashup set to John Williams. Imperial March, Rey’s theme, Rogue One motifs, Jaws, Superman—paired with aerial silks, a contortion “duel,” and a triple-stack balance act nailed without a wobble. Add a silent disco at a beer festival and you’ve got the thesis: things that know what they are—and commit—win, whether that’s a defense, a trilogy, or a room full of people dancing to headphones.

If this mix of sharp sports takes, honest fandom, and odd joy hits your lane, follow the show, share it with a friend, and tell us your hottest Star Wars ranking in a review. What did we get right—or gloriously wrong?

Voice intro and music

Intro music by Alex Grohl

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Vaguely InconsistentBy JDL