In this episode, Jens and Andy speak with Scott Reismanis (Mod.io) and Monty Martin (Space Cadet Studios) about the explosive growth of user-generated content (UGC) in games.

They unpack how platforms like Roblox, Fortnite, and mod.io's tools have turned players into creators, why UGC is now driving engagement, revenue and game longevity, and what this shift means for studios, publishers and developers. From modding communities to full creator economies, this episode explores how UGC has moved from the fringes of game development to one of the industry’s most powerful growth engines.

In this episode of Game Wise, Jens and Andy sit down with Chris Wright (Fellow Traveller) and Tomas Rossel (Spawn Ventures) to explore what publishers and venture capitalists look for in game developers. Chris shares insights on the publishing side — from why niche focus matters to how early signals like wishlists and social buzz shape decisions. Tomas explains the VC perspective, highlighting the importance of the team, long-term vision, and how investors spread risk across multiple studios. 

Whether you’re considering a publisher, seeking venture funding, or just curious about how investors think, this episode offers practical advice to help studios make smarter decisions.

Music is Atlantis, by Karl Casey of White Bat Audio. Post-production audio by 'Dark Half Studios (darkhalfstudios.com). 

In this episode, hosts Jens and his co-host Andy chat with Manea Castet, Head of Studio at Gameloft Brisbane, and Joe Donoghue, CEO & Co-founder of The Three Thousands, about what makes Australian game development unique. Together they reflect on the country’s vibrant indie scene, world-class creativity, and the “can-do” culture that drives fun, engaging games. They also dive into the challenges of distance from global hubs, attracting and retaining senior talent, and the path from indie beginnings to larger studios. 

With generous incentives, strong talent, and a thriving community, Australia is well placed to seize the next wave of opportunities, particularly in mid-sized AA titles. More than just a “remote outpost,” the vision is for Australia to step onto the world stage as a globally significant creative hub for games. 

Music is Atlantis, by Karl Casey of White Bat Audio. Post-production audio by 'Dark Half Studios (darkhalfstudios.com). 

In this episode, Jens and his co-host Andy chat to Emmanuel “Manu” Rosier, Director of Market Intelligence at Newzoo, to unpack the latest trends from Newzoo’s PC and Console Gaming Report.

From the stickiness of legacy titles to the discoverability challenges facing new games, Manu offers a data-rich yet accessible look at what’s shaping player behaviour, market saturation, and platform dynamics in 2025. Hear why older games are dominating playtime, what the rise of co-op and cosy genres says about player preferences, and how developers can navigate increasingly crowded storefronts and shifting business models.

Music is Atlantis, by Karl Casey of White Bat Audio. Post-production audio by 'Dark Half Studios (darkhalfstudios.com). 

In this podcast, Jens from IGEA and his co-host, Andy from GameGlass, dive into the world of game marketing. They explore the critical role of marketing in the games industry, featuring insights from industry experts Kate Hall (PlayIndies), Michal Napora (32-33), and Jonny Roses (PlaySide Studios).

Discover how to navigate the challenges of marketing for both large studios and indie developers. Learn about the importance of hooks, building a community, and leveraging social media platforms like TikTok and Discord. Our guests share their journeys, from creating content on YouTube and Twitch to founding successful marketing agencies and working with renowned studios.

Whether you're an indie developer or part of a large studio, this episode is packed with valuable tips and strategies to help you stand out in a crowded market. Tune in to get wise about games and take your marketing game to the next level!

Music is Atlantis, by Karl Casey of White Bat Audio