Geoff Downes returns for his second appearance on the show, having originally joined us back on Episode 38. While his extensive history with Yes is well documented, this time around we focus specifically on the band’s latest album, Aurora. Geoff covers a lot of ground in this interview, and we take the opportunity to delve into his current approach to songwriting and his performance on the new record.

To listen / watch:

Discussion topics covered during the show (links will open in new tab):  

The release of the album Aurora by Yes

Thoughts on being in the longest period of time in Yes without personnel changes, and the central role Steve Howe plays in ensuring the Yes sound

Yes – Countermovement

Paying due respect to the legacy of previous Yes keyboard players 

The keyboard sounds that are the essence of the Yes sound

The more challenging aspects of a Yes live set

Geoff’s (still huge) keyboard rig with Yes and the contrast with his rig with Asia

Proposed approach to recreating the Aurora tracks live, in a band that doesn’t use backing tracks

The importance in Yes of interplay between keyboards and guitar.

Geoff’s collaborative relationships with Steve Howe and Jon Davison.

Preparing for, and surviving a long tour.

Geoff’s pick of artists living or dead, that’d he’d love to work with.

Geoff’s admiration of Benny Andersson

Band T-Shirt Pimp: Punch Drunk Cabaret

Thumbnail picture via Yes official social media, taken by Ellis Larch

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The post Geoff Downes, Yes (Redux) appeared first on The Keyboard Chronicles.