On this special episode, we are joined by Paloma Núñez-Regueiro to discuss printmaking as both a political act and a personal archive. Born in Peru and raised in Mexico, Núñez-Regueiro reflects on a life shaped by migration, multiplicity, and belonging. Her work, grounded in a rigorous process of research, reading, and intimate interviews, positions printmaking not just as a medium, but as a mode of resistance, repetition, and collective remembrance. Weaving together political memory, diasporic identity, and visual storytelling, the Ann Arbor-based artist speaks on visibility, medium hierarchy, and how theory shapes image. 

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