George Lewis is a composer of contemporary classical music, an avant-garde jazz trombonist, an electronic sound artist, an essayist, and the author of A Power Stronger than Itself, the definitive history of the Association for the Advancement of Creative Musicians (AACM), a black composers’ collective based in Chicago, where he grew up. A dazzling polymath, he moves between the worlds of new music, jazz, academia, computer science, philosophy and visual art with extraordinary ease and humility. In our conversation, George talked about his working-class Chicago roots, his experiences at Yale and in Europe, his views on “cultural appropriation,” his ambivalence about being seen as a trombonist, why he thinks about John Coltrane more than John Cage, and why he’s proud to be considered an Afro-futurist.

A Power Stronger Than Itself

The Recombinant Trilogy

Rainbow Family

The Will to Adorn

Improvised Music After 1950: Afrological and Eurological Perspectives

Jessica Ekomane

Seth Parker Woods

Dana Reason - The Myth of Absence

Savvy Contemporary - Anton Wilhelm Amo