Austin Trunick, the author of THE CANNON FILM GUIDE, helps Chris scan a Cannon Films double feature that totally nukes the post-apocalyptic genre: AMERICA 3000 (1986) with Chuck Wagner and Laurene Landon, as well as Albert Pyun’s CYBORG (1989) starring the “Muscles From Brussels,” Jean-Claude Van Damme.

Meanwhile, Rob is lost in the vortex of tomorrow…

Twitter/X: https://twitter.com/CannonFilmGuide

Facebook: https://www.facebook.com/CannonFilmGuide

This week, we set the Wayback machine to “1983” and continue discussing the Italian wave of post-Mad Max films. 

First up, we race against the Eurac Monarchy to find a fertile woman in Sergio Martino’s 2019, AFTER THE FALL OF NEW YORK, starring Michael Sopkiw, Anna Kanakis, and George Eastman. 

Then we penetrate the Wall of Illusion with the Rider in WARRIOR OF THE LOST WORLD, starring Robert Ginty, Persis Khambatta, Donald Pleasance, and Fred Williamson. 

We finish up protecting our water from Alien in EXTERMINATORS OF THE YEAR 3000.

This week we have a pair of supremely stylish post-apocalyptic films by Italian director Enzo G. Castellari and starring Fred Williamson. 1990: THE BRONX WARRIORS (1982) and THE NEW BARBARIANS (1983).

Questa settimana abbiamo un paio di film post-apocalittici estremamente eleganti del regista Italiano Enzo G. Castellari e interpretati da Fred Williamson. 1990: I GUERRIERI DEL BRONX (1982) e I NUOVI BARBARI (1983).

Ryan from the New World Pictures Podcast joins us for a pair of New World Pictures riding that Mad Max wave. Who has the coolest post-apocalyptic nickname? Is it Michael Beck as Hunter in BATTLETRUCK (1982) directed by Harley Cokeliss? Or can STRYKER (1983) take the crown of coolest dude this side of the Oil Wars/nuclear holocaust?

To check out The New World Pictures Podcast: https://newworldpicturespodcast.com

They say that people don’t believe in heroes anymore. Well, damn them! Grab your petrol cans and weapons as we lurch toward the apocalypse with George Miller's MAD MAX (1979) starring Mel Gibson, John Carpenter's ESCAPE FROM NEW YORK (1981) starring Kurt Russell, and MAD MAX 2: THE ROAD WARRIOR (1981).

Rob has hijacked the studio to discuss Gaspar Noe’s CLIMAX (2018), an avant-garde horror film about a French dance troupe’s hellish acid trip, starring Sophia Boutella. It’s an unforgettable film, from the incredible dance number set to Cerrone’s “Supernature” to a child locked in a room screaming for his mommy.

We bring the Hard Day’s series to a close with two meta-narrative movie musicals starring singer-songwriters: ROBERTO CARLOS EM RITMO DE AVENTURA (1968) starring “the King” Roberto Carlos, and Anthony Newley’s CAN HEIRONYMUS MERKIN EVER FORGET MERCY HUMPPE AND FIND TRUE HAPPINESS (1969).

We are joined by guest Tony Bevilacqua, guitarist for The Distillers, for BEATLE MOVIE MANIA PART TWO as we discuss HELP! (1965), directed by Richard Lester, the MAGICAL MYSTERY TOUR television special (1967) written and directed by the Beatles themselves, and the animated YELLOW SUBMARINE (1968).

This week is a tale of contrasts as we talk about the musical party that is THE GHOST GOES GEAR (1966), featuring The Spencer Davis Group with Steve Winwood, before traveling back to the States for William Friedkin’s first feature film, GOOD TIMES (1967), starring Sonny & Cher.

We’re joined by Justin Beahm to look at projects fronted by “manufactured” bands, including the ground-breaking sitcom THE MONKEES (1966), Saturday morning cartoon THE ARCHIES (1968), as well as the Monkees’s feature film HEAD (1968), directed by Bob Rafelson and written by Rafelson & Jack Nicholson.

website: https://www.justinbeahm.com

Instagram: https://www.instagram.com/justinbeahm