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Back in the day, when it seemed like Nickelback was playing at the Charlottetown waterfront every second weekend, I developed the reputation of being something of a curmudgeon. Truth be told my protests were always rooted in a feeling that public land should remain public, not given over to concert prompters, but the subtlety was often lost on the readership.
As such, I celebrate the sweet sounds coming out of the third floor apartment next door unreservedly: if I can’t revel in the vigorous music-making of the young, what’s the point of being alive?
By Peter Rukavina3
11 ratings
Back in the day, when it seemed like Nickelback was playing at the Charlottetown waterfront every second weekend, I developed the reputation of being something of a curmudgeon. Truth be told my protests were always rooted in a feeling that public land should remain public, not given over to concert prompters, but the subtlety was often lost on the readership.
As such, I celebrate the sweet sounds coming out of the third floor apartment next door unreservedly: if I can’t revel in the vigorous music-making of the young, what’s the point of being alive?