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Scant information about his childhood; we first see documentation of his early 20’s.
Had studied on the violin, so he became the next [musique directeur]* at the Wurttemberg** court in 1716, after moving from Venice to Munich as a violinist the previous year.
Began writing opera(s). Noteworthy was La Tisbe, which did not earn a performance.
Faced heated battles from 1719-21 with rival Reinhard Keiser, maintained (retained) his position.
Lost his post as Rath und Oberkapellmeister in 1737, spurred on to increased composition.
The following year produced 12 concerti e simphonie opus 1 and others.
In 1744 his Oberkapellmeister post was restored and eventually he brought the opera & court music to renewed fame. Lasted into 1751 (or 1755—conflicting sources).
Pardon the (lack of) audio quality in this episode; eventually I just had to ignore every surprise hurdle during production in order to not allow any more delay, and there sure were a lot of them!
P.S. Not quite sure why I said "and all" at the end. It slipped out somehow.
*musique director, maître des concerts de la chamber
**Listen to my attempt at pronouncing that word...
Applause to the listeners!
By R ThorburnScant information about his childhood; we first see documentation of his early 20’s.
Had studied on the violin, so he became the next [musique directeur]* at the Wurttemberg** court in 1716, after moving from Venice to Munich as a violinist the previous year.
Began writing opera(s). Noteworthy was La Tisbe, which did not earn a performance.
Faced heated battles from 1719-21 with rival Reinhard Keiser, maintained (retained) his position.
Lost his post as Rath und Oberkapellmeister in 1737, spurred on to increased composition.
The following year produced 12 concerti e simphonie opus 1 and others.
In 1744 his Oberkapellmeister post was restored and eventually he brought the opera & court music to renewed fame. Lasted into 1751 (or 1755—conflicting sources).
Pardon the (lack of) audio quality in this episode; eventually I just had to ignore every surprise hurdle during production in order to not allow any more delay, and there sure were a lot of them!
P.S. Not quite sure why I said "and all" at the end. It slipped out somehow.
*musique director, maître des concerts de la chamber
**Listen to my attempt at pronouncing that word...
Applause to the listeners!