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Giuseppe Penone is a contemporary artist associated with the Arte Povera art movement. He reinvented sculpture, drawing, conceptual photography, art installation, through proto environmental art with the sensibility of a late late romantic.
Curator and art critic Germano Celant created the term #artepovera in 1967 to highlight a tendency toward a use of reduced material or idea to its archetype. How does Penone fit into that notion? He seems to have had a singular place in the Italian and global Western art canon of the time, using organic growth as an art process that the artist mirrors, plays and aligns with. Have we been forcing a dialogue between his work and Celant’s concept? What other relations with memory and matter has he expanded through his work? Was he a pioneer of eco-art? A late romantic? All of the above?
Artist Diogo Pimentão is my co-host for the first time. As ever, I’ll introduce the artist and he’ll take us through this small retrospective exhibition at the Serpentine Gallery.
Curated by Claude Adjil, Curator at Large, and Hans Ulrich Obrist, Artistic Director, with Alexa Chow, Assistant Exhibitions Curator.
You wouldn't leave the shop without paying for your latte, right?
Buy us a latte ;-) https://exhibitionistaspodcast.com/support-us
SIGN UP for the NEWSLETTER! Be the first to know our upcoming episode, get our UNTIMELY BOOK RECOMMENDATIONS, and juicy facts + useful links.
https://exhibitionistaspodcast.com/newsletter
If you enjoyed the episode, you may enjoy Joana's essays on Substack: https://joanaprneves.substack.com
For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast
Bluesky: @exhibitionistas.bsky.social
#contemporaryart #immersive #immersiveexperiences #artexhibitions #artisticidentity #artmovement #experimentalfilm #experimentalart #artmovement #archetype
By Joana P. R. Neves5
66 ratings
Giuseppe Penone is a contemporary artist associated with the Arte Povera art movement. He reinvented sculpture, drawing, conceptual photography, art installation, through proto environmental art with the sensibility of a late late romantic.
Curator and art critic Germano Celant created the term #artepovera in 1967 to highlight a tendency toward a use of reduced material or idea to its archetype. How does Penone fit into that notion? He seems to have had a singular place in the Italian and global Western art canon of the time, using organic growth as an art process that the artist mirrors, plays and aligns with. Have we been forcing a dialogue between his work and Celant’s concept? What other relations with memory and matter has he expanded through his work? Was he a pioneer of eco-art? A late romantic? All of the above?
Artist Diogo Pimentão is my co-host for the first time. As ever, I’ll introduce the artist and he’ll take us through this small retrospective exhibition at the Serpentine Gallery.
Curated by Claude Adjil, Curator at Large, and Hans Ulrich Obrist, Artistic Director, with Alexa Chow, Assistant Exhibitions Curator.
You wouldn't leave the shop without paying for your latte, right?
Buy us a latte ;-) https://exhibitionistaspodcast.com/support-us
SIGN UP for the NEWSLETTER! Be the first to know our upcoming episode, get our UNTIMELY BOOK RECOMMENDATIONS, and juicy facts + useful links.
https://exhibitionistaspodcast.com/newsletter
If you enjoyed the episode, you may enjoy Joana's essays on Substack: https://joanaprneves.substack.com
For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcast
Bluesky: @exhibitionistas.bsky.social
#contemporaryart #immersive #immersiveexperiences #artexhibitions #artisticidentity #artmovement #experimentalfilm #experimentalart #artmovement #archetype

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