What if Godzilla wasn’t just a monster—but a metaphor?

In this episode of Required Watching, Tray Epps breaks down Godzilla Minus One and its black-and-white Minus Color version to explore why this movie hits harder than most modern monster films.

This isn’t your dad’s Godzilla.

We talk about:

• Why Minus One is a return to emotional, allegorical filmmaking
• How a $15M budget delivered better results than most blockbusters
• The deeper meaning behind Koichi’s arc and Godzilla as trauma
• The difference color makes in storytelling
• Takashi Yamazaki’s masterful direction and use of light/shadow
• What filmmakers can learn about scale, theme, and heart

This is more than spectacle. This is what monster movies should strive to be.

JOIN THE CONVERSATION:

Did you see the color version or Minus Color?

Let us know what you thought in the comments or @RequiredWatching on social media.

Subscribe for more global film deep dives.

Let’s watch better. Let’s make better films.

Thanks for listening to Required Watching!

Subscribe, rate, and review wherever you get your podcasts—every ★ helps more filmmakers and cinephiles find these deep dives.

🎬 Join our community: sign up for show notes, transcripts, and bonus resources at requiredwatching.com/newsletter

🐦 Follow on social: @RequiredWatching on Twitter, Instagram and TikTok

🎥 Watch the videos: youtube.com/RequiredWatching

💖 Support the show: become a patron at patreon.com/requiredwatching for early access, behind-the-scenes, and exclusive Q&As.

Until next time, keep watching—and keep creating.

Hosted on Acast. See acast.com/privacy for more information.