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This week we talk about the first release of the classic line-up of Government Issue, "Boycott Stabb". It's a record that was important to both me and Jeff growing up. GI were one of my favorite bands to see live. John Stabb was, by turns, thoroughly intense, vulnerable and hilarious on stage. Tom Lyle always played at a crushing volume with extreme precision. Marc Alberstadt was one of the best drummers of the era. The bassist slot was always rotating, but always excellent players. This record is, in many ways , the re-birth of the band and the beginning of GI mach 2. Some of their best songs start here. We were lucky enough to have a conversation with the architect of their sound, Tom Lyle, in what is hopefully the first of a series of conversations about this mighty band's career. Drew Stone also stops by, to speak about what this important record means to him. Join us for a peek behind the torn curtain. It's worth the risk and worth your time. John Stabb lives on in our hearts and on the recordings we are privileged to revisit.
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115115 ratings
This week we talk about the first release of the classic line-up of Government Issue, "Boycott Stabb". It's a record that was important to both me and Jeff growing up. GI were one of my favorite bands to see live. John Stabb was, by turns, thoroughly intense, vulnerable and hilarious on stage. Tom Lyle always played at a crushing volume with extreme precision. Marc Alberstadt was one of the best drummers of the era. The bassist slot was always rotating, but always excellent players. This record is, in many ways , the re-birth of the band and the beginning of GI mach 2. Some of their best songs start here. We were lucky enough to have a conversation with the architect of their sound, Tom Lyle, in what is hopefully the first of a series of conversations about this mighty band's career. Drew Stone also stops by, to speak about what this important record means to him. Join us for a peek behind the torn curtain. It's worth the risk and worth your time. John Stabb lives on in our hearts and on the recordings we are privileged to revisit.
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