When I started working on Goya's Lament for the Deeper Sound, I knew I wanted to create something that was both reflective and rich in emotional depth. For me, music is more than just beats or melodies, it's a language for exploring what lies beneath the surface of human experience. That's why I crafted my "Lamentations" series, to express this deeper side of sound. By blending jazz and funk samples with deep house grooves, I wanted to evoke a sense of emotional reflection that people could connect with on a personal level.

The concept of a musical lament has always fascinated me. Historically, laments were used to express grief and sorrow, whether in classical pieces by composers like Monteverdi or in folk traditions. I drew inspiration from that tradition but adapted it to a modern setting. In my mixes, I aim to take the listener on a journey through layered, introspective soundscapes. It's not just about mourning; it’s about creating space for contemplation and personal emotion.

I see my work as part of the evolution of musical laments. While early laments focused on literal loss or sorrow, my approach reflects a more abstract exploration of those feelings. By mixing traditional influences with contemporary elements, I hope to create something that resonates with today’s listeners, offering them an opportunity to reflect, think deeply, and experience the full spectrum of emotion through music.

In the end, Goya's Lament isn't just about sadness, it's about capturing the complexity of human emotion through sound, something I strive to achieve with every mix I produce.