Greg Kelly offers a sharp critique of modern cinema by contrasting a politically charged Oscar winner with the enduring cultural legacy of classic 1970s films. He argues that today's movies lack broad appeal and instead focus on systemic racism and border control, themes he views as "woke" and disconnected from the national unity seen during historical periods of collective sacrifice. Transitioning from domestic culture to international affairs, Greg analyzes the geopolitical tensions with Iran, specifically criticizing the Iranian leadership’s rhetoric and the "spiritual" justifications for their drastic legal edicts.

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