Sign up to save your podcasts
Or
Share Habs Akram on Carl Cox saying “Best visuals I’ve ever seen”
Share to email
Share to Facebook
Share to X
Share to email
Share to Facebook
Share to X
Or
Habs Akram on Carl Cox saying “Best visuals I’ve ever seen”
In this episode of The Dexter Jones Podcast, Dexter Jones sits down with Habs Akram, a pioneering VJ, visual artist, and live visual mixer who has helped shape how electronic music events, clubs, and festivals look for over 35 years.
Working alongside some of the biggest names in dance music, including Carl Cox, Habs has played a key role in bringing club visuals, live video mixing, and stage visuals into global electronic music culture, from underground London parties to Ibiza superclubs, Glastonbury, and world tours.
Often mistaken for “the lighting guy”, Habs explains what a VJ actually does, why visuals matter on the dance floor, and how live visual mixing can completely change the way music is experienced in clubs and festivals.
We dive into:
🔥 The moment Carl Cox told Habs: “Best visuals I’ve ever seen”
🎥 Why VJs are still misunderstood and undervalued in club culture
🌍 Touring the world with Nine Inch Nails and creating visuals used as lighting
🎬 How Habs’ work ended up in AI: Artificial Intelligence, directed by Steven Spielberg
🎪 The infamous Glastonbury “blag” that led to running the Pyramid Stage
🧠 Mixing visuals live, in real time, not pressing play
📱 The decade-long journey to building V4M, a live visual app that fits in your pocket
🎶 Why visuals should respond to music, not overpower it
🖤 The art of restraint, blackouts, and understanding the shape of sound
This episode is not just about visuals. It’s about timing, instinct, creativity, and what it really means to bring music to life on a dance floor.
If you’ve ever wondered how iconic nights actually come together behind the scenes, this one’s for you.
Chapters:
00:00 Why I wanted Habs Akram on the podcast (VJ & visual pioneer)
02:14 VJ vs lighting engineer – what a VJ really does
03:01 How live visual mixing actually works in clubs and festivals
03:30 West London roots, early rave culture & clubbing history
04:01 Turning up to Slinky in a suit – learning the rave scene
06:53 From corporate AV to underground dance music visuals
07:51 The visual idea that was ahead of its time
10:02 Nine Inch Nails tour, Spielberg & breaking into world tours
25:38 Carl Cox’s compliment: “Best visuals I’ve ever seen”
28:40 Why Habs doesn’t rate AI visuals in dance music
50:28 V4M app explained – live visuals from your phone
1:05:15 Space Ibiza years & the golden era of club culture
1:14:00 The secret sauce: blackouts, timing & reading the drop
1:22:18 Last tune to end the night – closing moments
---
Download the V4M APP
www. https://visuals4music.com/
Info: https://www.facebook.com/Habsy.Akram
View all episodes
By Dexter JonesIn this episode of The Dexter Jones Podcast, Dexter Jones sits down with Habs Akram, a pioneering VJ, visual artist, and live visual mixer who has helped shape how electronic music events, clubs, and festivals look for over 35 years.
Working alongside some of the biggest names in dance music, including Carl Cox, Habs has played a key role in bringing club visuals, live video mixing, and stage visuals into global electronic music culture, from underground London parties to Ibiza superclubs, Glastonbury, and world tours.
Often mistaken for “the lighting guy”, Habs explains what a VJ actually does, why visuals matter on the dance floor, and how live visual mixing can completely change the way music is experienced in clubs and festivals.
We dive into:
🔥 The moment Carl Cox told Habs: “Best visuals I’ve ever seen”
🎥 Why VJs are still misunderstood and undervalued in club culture
🌍 Touring the world with Nine Inch Nails and creating visuals used as lighting
🎬 How Habs’ work ended up in AI: Artificial Intelligence, directed by Steven Spielberg
🎪 The infamous Glastonbury “blag” that led to running the Pyramid Stage
🧠 Mixing visuals live, in real time, not pressing play
📱 The decade-long journey to building V4M, a live visual app that fits in your pocket
🎶 Why visuals should respond to music, not overpower it
🖤 The art of restraint, blackouts, and understanding the shape of sound
This episode is not just about visuals. It’s about timing, instinct, creativity, and what it really means to bring music to life on a dance floor.
If you’ve ever wondered how iconic nights actually come together behind the scenes, this one’s for you.
Chapters:
00:00 Why I wanted Habs Akram on the podcast (VJ & visual pioneer)
02:14 VJ vs lighting engineer – what a VJ really does
03:01 How live visual mixing actually works in clubs and festivals
03:30 West London roots, early rave culture & clubbing history
04:01 Turning up to Slinky in a suit – learning the rave scene
06:53 From corporate AV to underground dance music visuals
07:51 The visual idea that was ahead of its time
10:02 Nine Inch Nails tour, Spielberg & breaking into world tours
25:38 Carl Cox’s compliment: “Best visuals I’ve ever seen”
28:40 Why Habs doesn’t rate AI visuals in dance music
50:28 V4M app explained – live visuals from your phone
1:05:15 Space Ibiza years & the golden era of club culture
1:14:00 The secret sauce: blackouts, timing & reading the drop
1:22:18 Last tune to end the night – closing moments
---
Download the V4M APP
www. https://visuals4music.com/
Info: https://www.facebook.com/Habsy.Akram