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The companion podcast to Issue No.82 of The Intersect. Chelsea and Georgia shut the curtains on the fireworks next door to ask a quietly provocative question: does great work require leaving home, or just knowing exactly where home is so you can leave it on purpose? An hour of looking everywhere but here — and wondering whether that's the most patriotic move of all.
ContentsBirthday Curator's Outward Eye Why an issue with zero American stories — released on America's 250th — might be the most earned kind of celebration. Chelsea and Georgia trace the curatorial logic back to a Brooklyn courthouse and a deliberately outward gaze.
Bjork Beyond the Album Reykjavik hangs Bjork on a gallery wall as painter, video artist, and musician all at once. When a song stops being only a song, where does the artwork begin?
Aurora Turned to Sound A Norwegian artist builds her own crystal radio to transpose the northern lights into sound — and the result raises an uncomfortable question about the gap between a compelling concept and a compelling experience.
Silent Lives in the Frame Photographs of extinct birds, lit so tenderly they seem to breathe, with the stitches left visible. A deliberately non-AI pick that asks when technology has to look like technology to count.
Rippled Glass and Credit A Brisbane theater whose facade ripples like water — and a thorny question about who gets to claim a vision when a new tool makes it thinkable for the first time.
Resistance Abroad in LED Jenny Holzer stages American political resistance in Porto, in spinning LED and stone. When does a word stop being a word and start becoming a machine for moving people?
Stay in the loopIf this conversation sparked something, follow along and help keep The Intersect running.
By Juergen BerkesselThe companion podcast to Issue No.82 of The Intersect. Chelsea and Georgia shut the curtains on the fireworks next door to ask a quietly provocative question: does great work require leaving home, or just knowing exactly where home is so you can leave it on purpose? An hour of looking everywhere but here — and wondering whether that's the most patriotic move of all.
ContentsBirthday Curator's Outward Eye Why an issue with zero American stories — released on America's 250th — might be the most earned kind of celebration. Chelsea and Georgia trace the curatorial logic back to a Brooklyn courthouse and a deliberately outward gaze.
Bjork Beyond the Album Reykjavik hangs Bjork on a gallery wall as painter, video artist, and musician all at once. When a song stops being only a song, where does the artwork begin?
Aurora Turned to Sound A Norwegian artist builds her own crystal radio to transpose the northern lights into sound — and the result raises an uncomfortable question about the gap between a compelling concept and a compelling experience.
Silent Lives in the Frame Photographs of extinct birds, lit so tenderly they seem to breathe, with the stitches left visible. A deliberately non-AI pick that asks when technology has to look like technology to count.
Rippled Glass and Credit A Brisbane theater whose facade ripples like water — and a thorny question about who gets to claim a vision when a new tool makes it thinkable for the first time.
Resistance Abroad in LED Jenny Holzer stages American political resistance in Porto, in spinning LED and stone. When does a word stop being a word and start becoming a machine for moving people?
Stay in the loopIf this conversation sparked something, follow along and help keep The Intersect running.