Jollimore comes off stage and sits with Harry at the Crybaby Bar. The bartender Calvin Swig watches the two, as they talk about old times. Jollimore tells Harry he will need his guitar back. Harry hasn't got it.

A Crybaby Visitor -

A guitar player is in the audience and even though Harry has put the guitar out of tune, the guitar player gets up and dazzles the crowd - d dazzles the crowd.

Harry knew love. He was married to trapeze artist Trixi Almeida. They thrice circled a garbage can fire in Toronto and an all-consuming love arrived, with meaning and purpose. But, with a mustard seed of disunity came drought that brought the locusts and the acorn lunches.

Dracula asks Cinderella to dance. Harry watches the swiftness of cupid's arrow. Camus' absurdity is absurd when love pierces the heart. All is meaning, all is purpose, all is plans for a resurrected life - there before you.

Harry has a new gig, a couple of jazz numbers to open for a film premiere in Steel City, Smokey Studios is paying him 50 bucks to open the jazz documentary, ‘The Piano Tuner.’ Harry has to dress as John Voigt in Midnight Cowboy, Harry once partied with John in Malibu.

Harry is reaching the patrons of the Crybaby Bar with his own music. There is immediate attention, photographs and offers to record. Harry is jubilant and cautious but is also letting people in.

What is the relationship, the true relationship, between artist and muse? Harry realizes that he has always had a muse, after Lemonade enters his door at the Tarantula Arms. Harry is on stage at the Crybaby Bar where he promises never to sing a covering ever again. He will sing his own tunes come hell or high water. And he will start with, 'There's a Sadness Going Around.' But there on stage, haunted as if by demons that have come to remind him of some contract he signed, his mind goes to the faithful night at Jollimore's, the trailer with the blue wings down at the tides, the delta of Slow River.

The Hippie child Lemonade is outside Harry';s door at the Tarantula Arms one rainy night. She comes in and sits at his brown barrel chair and asks Harry how to identify a good man. Harry looks across the room and realizes that he has found his muse and the season of songwriting is upon him, once more.

Walking up Iron Street after a Crybaby gig - after K.O. shoots down the Cannonball, Harry recalls the night before he went on tour for the first time. It was with the band from Jollimore’s trailer, The Holy Molies. Harry was 14 years old but he attended the best educational institution there is in music - the road.

Harry sings ‘The Cannonball’ but doesn’t make big splash with Toronto record producer K.O. Biggs. K.O. will visit the Crybaby Bar tomorrow night but Harry had better ‘Put on the Ritz’. Walking home, Harry recalls those years past when he went into Jollimore’s trailer and saw for the first time a live band. He knew what he wanted to do with his life just not the course on which it would take him.

Harry and Clarissa leave the trash can fire and enter the trailer with the blue wings.