First up: Marvel's latest attempt at rebooting the Fantastic Four. Is it finally the version that gets Marvel’s First Family right? Or are we stretching ourselves thin trying to defend another mid-tier blockbuster?

Then we shift gears (hard) into Ari Aster’s Eddington—his enigmatic, polarizing follow-up to Beau Is Afraid. We unpack its dreamlike horror, existential dread, and whether or not Aster’s surrealist tendencies have finally gone too far... or just far enough.

A conversation about broken families, cosmic horror, and men making big choices in big coats.

⁠VHSGuy⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠StopCulture⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠Ghoulif⁠