HELL DRIVERS (1957) was a film I was totally unaware of before Mr. Maddox started talking about it a few months ago. I don't know how I missed it considering the talented people involved. There is a host of future British television and film stars packed into this tight little drama including a Doctor Who, a James Bond and at least two other soon-to-be small screen espionage agents. Oh! And the great Herbert Lom as an Italian expatriate working in England and romancing the lovely Peggy Cummins. Writer/director Cy Endfield shows his skill at crafting a strong script with believable characters but also knows how to stage exciting action scenes. We watch huge trucks barreling down roads that are clearly too small for that type of traffic while at the same time the complicated personal relationships become more deadly as well. But the film offers more than just bar fights and lustful quandaries. Just why would a company run these young drivers so hard?

#78 - HELL DRIVERS (1957)

TV & Film

Mark Maddox and I continue our journey through the first six Star Trek movies and now reach THE FINAL FRONTIER (1989). We have been both dreading and looking forward to revisiting this film. Thirty-five years later is it still as bad we remember? Are there hidden moments of quality buried in this bad idea given cinematic form? Join us as we pull this thing apart and inspect it’s sad remains.
We use Shatner’s own story of the production from his Movie Memories book to supplement the usual sources. It adds a lot to know the genesis of the film’s basic story and emphasizes just how easily a poor central concept can cripple a project. Also, aspiring writers can take note of this film as a solid example of bad scriptwriting on nearly every level. Neither of us find much to admire in STAR TREK V but there are a few good moments. Sadly, those few quality elements have to rest side by side with insults to nearly every regular character and simply awful dialog. The film’s humor mostly revolves around laughing ‘at’ the characters and never ‘with’ them. It undermines so many years of goodwill built up by the franchise for the sake of bad jokes, dumb ideas and idiotic coincidences that we can only be grateful it wasn’t the last film to feature the original cast. Row, row, row your boat indeed.
Comments about this film, the podcast or Star Trek in general can be sent to thebloodypit@gmail.com and we’ll be happy to hear from you. Thank you for listening and we’ll be back soon.

195 - STAR TREK V THE FINAL FRONTIER (1989)

Troy and I poke our heads into a Universal Studio haunted house, spot vaudeville act Olsen & Johnson and run away. Well – not really. But our first viewing of this nearly forgotten comedy horror film is not the fun we might have hoped. Did we enjoy it at all? Give the show a listen and we’ll point out the highs and lows.
GHOST CATCHERS (1944) stars a number of very talented actors and singers but it also stars Olsen & Johnson – or, as I will eternally think of them, Faster & Louder. Nearly none of their supposed gift for humor translates effectively from the stage if this film is any indicator. The movie’s silly plot is actually two different story ideas welded together with four songs and a lot of flat jokes. For both of us the film squandered what little goodwill we may have had for it in a certain horsey scene, but we’ll let you discover that along the way. We were surprised that a couple of the songs were pretty great but when a horror comedy’s highlight points out that it is more successful as a musical than anything else, there is a problem. (And we even get the title of the best song wrong in our discussion!) But funny is in the eye of the beholder so you may actually enjoy this odd Universal effort. And did we mention Lon Chaney’s very small role?
 If you have any comments about this film or vaudeville more broadly thebloodypit@gmail.com is the place to write. Thank you for listening.

194 - GHOST CATCHERS (1944)

It has been far too long since Troy and I gathered around the male bag….uuuhh…MAIL bag to find out what folks listening to the podcast think! Or, at least if they want to make fun of me. I’ll take any attention, so - cool!
 We are months behind checking out the email account so some of these messages date back to 2023. I apologize about this but also think sometimes the wait is worth it. I mean what other show has a discussion of Bruno Mattei, Japanese comedy/drama film series Tora-san, WAR OF THE WORLD’s symbolism and the thousands of film appearances of actor Morris Ankrum. Clearly, The Bloody Pit is filling an important niche in the movie discussion podcast world! And did I mention we have a visit from Vincent Price? Or possibly his ghost. With a cold. It’ll all make sense when you listen to the episode. Maybe. 
And if you’re interested in the podcast mentioned in the show that dives into the Golden Age of Ninja movies, you can give it a listen at this LINK. 
For those who want to contribute to the next email episode thebloodypit@gmail.com is the place to send your thoughts. And thank you for listening!

193 - Revenge of the Email Sack!

WAR OF THE WORLDS (1953) and INVADERS FROM MARS (1953) are two of the most beloved of the dozens of science fiction movies from that paranoid Cold War decade. Author Mark Clark joins me to compare and contrast them as we look at the massive differences in scale, budget and point of view that give each film its unique feel. Recent Blu-Ray releases allow a fresh evaluation of these movies and we dig into them from angles both personal and societal. Spoilers rise from every sandpit, so be aware!
 We tackle the magnificent WAR OF THE WORLDS first, examining the elements taken from the source novel as well as from the classic Orson Wells radio adaptation. We discuss the story structure and the cast of amazing character actors familiar at the time from both radio shows and film. Design concepts and the faint traces of the book’s tripods are touched on before we dig into the film rushed to theaters to compete – INVADERS FROM MARS! The William Cameron Menzies production design is discussed as well as the ‘trashy science fiction magazines’ that seemed to inspire some the incredible images. We argue a bit over our preferred length but both of us wish there was less military stock footage slowing things down. The alternate British ending is brought up and I detail how I wish the American version ended. We do go on! 
If you have thoughts on either of these Martian invasion movies thebloodypit@gmail.com is the place to send them. Thank you for listening.

192 - Martian Invasion 1953!

Mark Maddox returns to the show as we continue our journey through the first six Star Trek films. STAR TREK IV: THE VOYAGE HOME (1986) is one of the most popular of the series and stood for decades as the most profitable entry. The humor and clever plotting of the story still works nearly forty years later with the original cast shining with few exceptions. Of course, we pick at the minor complaints I have with the movie while Mark tells me I’m a killjoy who can only be happy with darkness and violence. That might be (slightly) true but I will leave that mirror reflection as something for others to examine alongside me as I make fun of Mark for sillier things. Much sillier things!
 We discuss the film’s production including our thoughts on the Eddie Murphy connection and how it would have changed all future Trek films. I lament the deletion of the pregnancy detail and the possible stories that could have come from it. I question the odd visual choice for depicting the time travel sequence while Mark’s respect for me falls even further into a hole. Those hoping for the two us to argue will have a few moments of fun. The strangest of these comes from our discussion of cringy 80’s humor with Mark somehow unable to remember one of the most common derogatory terms of the period. That man’s mind is going!
 If you have thoughts on Star Trek IV or the series in general thebloodypit@gmail.com is the place to send them. We’ll be back soon to tackle V – oh, my! Thanks for listening.

#78 - HELL DRIVERS (1957)

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