My guest on this episode of Writers at Work is Henry Alford, whose latest book is I DREAM OF JONI: A PORTRAIT OF JONI MITCHELL IN 53 SNAPSHOTS. You may know Henry's work in the New Yorker, for whom he's written for a good long while, or his contributions to Vanity Fair, The New York Times, and Spy Magazine.

You can find a collection of his early essays, in MUNICIPAL BONDAGE, published in 1994. Often writing about the absurd, including absurdities he's cooked up, he's been called an investigative humorist, which just about says it. I say just about because I DREAM OF JONI emerges as a serious work of biography about Mitchell, who (Dylan fans, cover your ears) is the greatest artist to emerge from the 1960s folk scene.

Henry's 53 snapshots are sections, some a full chapter, others a few lines that, taken together, present Mitchell in a manner that I've not come across previously. I DREAM OF JONI is Henry's sixth book. He's written about dance, manners, the hard-won wisdom of the elderly, and how, at age 34, he tried to become a professional actor.

Delving into his back catalog is a trip worth taking. I've been an Alford fan for a while. I always perked up when I heard him on Fresh Air or Studio360. And it goes without saying that I'm a Joni Mitchell fan. So seeing her through his eyes was an absolute treat and a revelation.